Japan-Hiraizumi – Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land

Hiraizumi - Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land comprises five sites, including the sacred Mount Kinkeisan. It features vestiges of government offices dating from the 11th and 12th centuries when Hiraizumi was the administrative centre of the northern realm of Japan and rivalled Kyoto. The realm was based on the cosmology of Pure Land Buddhism, which spread to Japan in the 8th century. It represented the pure land of Buddha that people aspire to after death, as well as peace of mind in this life. In combination with indigenous Japanese nature worship and Shintoism, Pure Land Buddhism developed a concept of planning and garden design that was unique to Japan.

Japan-Hidden Christian Sites in the Nagasaki Region

Located in the north-western part of Kyushu island, this serial property consists of ten villages, Hara Castle and a cathedral, built between the 17th and 19th centuries. They reflect the era of prohibition of the Christian faith, as well as the revitalization of Christian communities after the official lifting of prohibition in 1873.  These sites bear unique testimony to a cultural tradition nurtured by hidden Christians in the Nagasaki region who secretly transmitted their faith during the period of prohibition from the 17th to the 19th century.

Japan-Intangible Nôgaku theatre

Nôgaku theatre had its heyday in the fourteenth and fifteenth centuries, but actually originated in the eighth century when the Sangaku was transmitted from China to Japan. At the time, the term Sangaku referred to various types of performance featuring acrobats, song and dance as well as comic sketches. Its subsequent adaption to Japanese society led to its assimilation of other traditional art forms. Today, Nôgaku is the principal form of Japanese theatre and has influenced the puppet theatre as well as Kabuki. Often based on tales from traditional literature, Nôgaku theatre integrates masks, costumes and various props in a dance-based performance. Moreover, this theatre requires highly trained actors and musicians. Nôgaku encompasses two types of theatre: Noh and Kyôgen, which are performed in the same space. The stage projects into the audience and is linked by a walkway to a “hall of mirrors” backstage. In Noh, emotions are represented by stylised conventional gestures. The hero is often a supernatural being who takes on human form to narrate a story. The distinctive masks for which Noh is renowned are used for the roles of ghosts, women, children and old people. Kyôgen, on the other hand, relies less on the use of masks and is derived from the humorous plays of the Sangaku, as reflected in its comic dialogue. The text is written in ancient language and vividly describes the ordinary people of the twelfth to sixteenth centuries. In 1957 the Japanese Government designated Nôgaku as an Important Intangible Cultural Property, which affords a degree of legal protection to the tradition as well as its most accomplished practitioners. The National Noh Theatre was founded in 1983 and stages regular performances. It also organizes courses to train actors in the leading roles of the Nôgaku.

Japan-Intangible Kabuki theatre

Kabuki is a Japanese traditional theatre form, which originated in the Edo period at the beginning of the seventeenth century and was particularly popular among townspeople. Originally, both men and women acted in Kabuki plays, but eventually only male actors performed the plays: a tradition that has remained to the present day. Male actors specialized in women’s roles are called onnagata. Two other major role types are aragoto (rough style) and wagoto (soft style). Kabuki plays are about historical events and moral conflict in relationships of the heart. The actors speak in a monotone voice and are accompanied by traditional instruments. The Kabuki stage is equipped with several gadgets, such as revolving stages and trapdoors through which the actors can appear and disappear. Another speciality of the Kabuki stage is a footbridge (hanamichi) that extends into the audience. Important characteristics of Kabuki theatre include its particular music, costumes, stage devices and props as well as specific plays, language and acting styles, such as the mie, in which the actor holds a characteristic pose to establish his character. Keshÿ, the particular make-up, provides an element of style easily recognizable even by those unfamiliar with the art form. After 1868, when Japan opened to Western influence, actors strove to heighten the reputation of Kabuki among the upper classes and to adapt the traditional styles to modern tastes. Today, Kabuki is the most popular of the traditional styles of Japanese drama.

Japan-Intangible Ningyo Johruri Bunraku puppet theatre

Ranking with Nô and Kabuki as one of Japan’s foremost stage arts, the Ningyo Johruri Bunraku puppet theatre is a blend of sung narrative, instrumental accompaniment and puppet drama. This theatrical form emerged during the early Edo period (ca. 1600) when puppetry was coupled with Johruri, a popular fifteenth-century narrative genre. The plots related in this new form of puppet theatre derived from two principal sources: historical plays set in feudal times (Jidaimono) and contemporary dramas exploring the conflict between affairs of the heart and social obligation (Sewamono). Ningyo Johruri had adopted its characteristic staging style by the mid eighteenth century. Three puppeteers, visible to the audience, manipulate large articulated puppets on the stage behind a waist high screen. From a projecting elevated platform (yuka), the narrator (tayu) recounts the action while a musician provides musical accompaniment on the three-stringed spike lute (shamisen). The tayu plays all the characters, both male and female, and uses different voices and intonations to suit each role and situation. Although the tayu “reads” from a scripted text, there is ample room for improvisation. The three puppeteers must carefully co-ordinate their movements to ensure that the puppet’s gestures and attitudes appear realistic. The puppets, replete with elaborate costumes and individualized facial expressions, are handcrafted by master puppet makers. The genre acquired its present full name Ningyo Johruri Bunraku – in the late nineteenth century, a period in which the Bunrakuza was a leading theatre. Today, the pre-eminent venue is the National Bunraku Theatre in Osaka, but its highly reputed troupe also performs in Tokyo and regional theatres. Approximately 160 works out of the 700 plays written during the Edo period have remained in today’s repertory. Performances, once lasting the entire day, have been shortened from the original six to two or three acts. Ningyo Johruri Bunraku was designated Important Intangible Cultural Property in 1955. Nowadays, it attracts numerous young performers, and the aesthetic qualities and dramatic content of the plays continue to appeal to modern audiences.

Japan - The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement

Chosen from the work of Le Corbusier, the 17 sites comprising this transnational serial property are spread over seven countries and are a testimonial to the invention of a new architectural language that made a break with the past. They were built over a period of a half-century, in the course of what Le Corbusier described as “patient research”. The Complexe du Capitole in Chandigarh (India), the National Museum of Western Art, Tokyo (Japan), the House of Dr Curutchet in La Plata (Argentina) and the Unité d’habitation in Marseille (France) reflect the solutions that the Modern Movement sought to apply during the 20th century to the challenges of inventing new architectural techniques to respond to the needs of society. These masterpieces of creative genius also attest to the internationalization of architectural practice across the planet.

Japan - Sites of Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining

The site encompasses a series of twenty three component parts, mainly located in the southwest of Japan. It bears testimony to the rapid industrialization of the country from the middle of the 19th century to the early 20th century, through the development of the steel industry, shipbuilding and coal mining. The site illustrates the process by which feudal Japan sought technology transfer from Europe and America from the middle of the 19th century and how this technology was adapted to the country’s needs and social traditions. The site testifies to what is considered to be the first successful transfer of Western industrialization to a non-Western nation.

Hashima 

Good bye Hashima (spring of 1974)

Japan - Tomioka Silk Mill and Related Sites

Tomioka  Silk Mill and Related Sites (Japan) is an historic sericulture and silk mill complex  established in 1872  in the Gunma Prefecture  north west of Tokyo. Built by the Japanese Government with machinery imported from France, it consists of four sites that attest to the different stages in the production of raw silk:  production of cocoons in an experimental farm; a  cold storage facility for silkworm eggs;  reeling of cocoons and spinning of raw silk in a mill; and a school for the dissemination of sericulture knowledge. It illustrates Japan’s desire to rapidly adopt the best mass production techniques, and became a decisive element in the renewal of sericulture and the Japanese silk industry in the last quarter of the 19th century. It marked Japan’s entry into the modern, industrialized era, and propelled it to become the world’s leading exporter of raw silk, notably to France and Italy.

Japan - Fujisan, sacred place and source of artistic inspiration

The beauty of the solitary, often snow-capped, stratovolcano, known around the world as Mount Fuji, rising above villages and tree-fringed sea and lakes has long inspired artists and poets and been the object of pilgrimages. Its representation in Japanese art goes back to the 11th century but 19th century wood block prints have made Fujisan become an internationally recognized icon of Japan and have had a deep impact on the development of Western art. The inscribed property consists of 25 sites which reflect the essence of Fujisan’s sacred landscape. In the 12th century, Fujisan became the centre of training for ascetic Buddhism, which included Shinto elements. On the upper 1,500-metre tier of the 3,776m mountain, pilgrim routes and crater shrines have been inscribed alongside sites around the base of the mountain including Sengen-jinja shrines, Oshi lodging houses, and natural volcanic features such as lava tree moulds, lakes, springs and waterfalls, which are revered as sacred.

Fujisan Hongū Sengen Taisha

Japan - Ogasawara Islands

The property numbers more than 30 islands clustered in three groups and covers surface area of 7,939 hectares. The islands offer a variety of landscapes and are home to a wealth of fauna, including the Bonin Flying Fox, a critically endangered bat, and 195 endangered bird species. Four-hundred and forty-one native plant taxa have been documented on the islands whose waters support numerous species of fish, cetaceans and corals. Ogasawara Islands' ecosystems reflect a range of evolutionary processes illustrated through its assemblage of plant species from both southeast and northwest Asia, alongside many endemic species.

More cards at Ogasawara

Japan - Hiraizumi – Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land

Hiraizumi - Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land comprises five sites, including the sacred Mount Kinkeisan. It features vestiges of government offices dating from the 11th and 12th centuries when Hiraizumi was the administrative centre of the northern realm of Japan and rivalled Kyoto. The realm was based on the cosmology of Pure Land Buddhism, which spread to Japan in the 8th century. It represented the pure land of Buddha that people aspire to after death, as well as peace of mind in this life. In combination with indigenous Japanese nature worship and Shintoism, Pure Land Buddhism developed a concept of planning and garden design that was unique to Japan.

Japan - Shiretoko

Shiretoko Peninsula is located in the north-east of Hokkaido, the northernmost island of Japan. The site includes the land from the central part of the peninsula to its tip (Shiretoko Cape) and the surrounding marine area. It provides an outstanding example of the interaction of marine and terrestrial ecosystems as well as extraordinary ecosystem productivity, largely influenced by the formation of seasonal sea ice at the lowest latitude in the northern hemisphere. It has particular importance for a number of marine and terrestrial species, some of them endangered and endemic, such as Blackiston’s fish owl and the Viola kitamiana plant. The site is globally important for threatened seabirds and migratory birds, a number of salmonid species, and for marine mammals including Steller’s sea lion and some cetacean species.

Japan - Sacred Sites and Pilgrimage Routes in the Kii Mountain Range

Set in the dense forests of the Kii Mountains overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, Koyasan – linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto, reflect the fusion of Shinto, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sites (495.3 ha) and their surrounding forest landscape reflect a persistent and extraordinarily well-documented tradition of sacred mountains over 1,200 years. The area, with its abundance of streams, rivers and waterfalls, is still part of the living culture of Japan and is much visited for ritual purposes and hiking, with up to 15 million visitors annually. Each of the three sites contains shrines, some of which were founded as early as the 9th century.

more cards here

and more here Mt. Koya

Japan - Gusuku Sites and Related Properties of the Kingdom of Ryukyu

Five hundred years of Ryukyuan history (12th-17th century) are represented by this group of sites and monuments. The ruins of the castles, on imposing elevated sites, are evidence for the social structure over much of that period, while the sacred sites provide mute testimony to the rare survival of an ancient form of religion into the modern age. The wide- ranging economic and cultural contacts of the Ryukyu Islands over that period gave rise to a unique culture.

Japan - Shrines and Temples of Nikko

The shrines and temples of Nikko, together with their natural surroundings, have for centuries been a sacred site known for its architectural and decorative masterpieces. They are closely associated with the history of the Tokugawa Shoguns.

Japan - Historic Monuments of Ancient Nara

Nara was the capital of Japan from 710 to 784. During this period the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture. The city's historic monuments – Buddhist temples, Shinto shrines and the excavated remains of the great Imperial Palace – provide a vivid picture of life in the Japanese capital in the 8th century, a period of profound political and cultural change.

Japan - Itsukushima Shinnto Shrine

The island of Itsukushima, in the Seto inland sea, has been a holy place of Shintoism since the earliest times. The first shrine buildings here were probably erected in the 6th century. The present shrine dates from the 12th century and the harmoniously arranged buildings reveal great artistic and technical skill. The shrine plays on the contrasts in colour and form between mountains and sea and illustrates the Japanese concept of scenic beauty, which combines nature and human creativity.

Japan - Hiroshima Peace Memorial (Genbaku Dome)

The Hiroshima Peace Memorial (Genbaku Dome) was the only structure left standing in the area where the first atomic bomb exploded on 6 August 1945. Through the efforts of many people, including those of the city of Hiroshima, it has been preserved in the same state as immediately after the bombing. Not only is it a stark and powerful symbol of the most destructive force ever created by humankind; it also expresses the hope for world peace and the ultimate elimination of all nuclear weapons.

Japan - Historic Villages of Shirakawa-go and Gokayama

Located in a mountainous region that was cut off from the rest of the world for a long period of time, these villages with their Gassho-style houses subsisted on the cultivation of mulberry trees and the rearing of silkworms. The large houses with their steeply pitched thatched roofs are the only examples of their kind in Japan. Despite economic upheavals, the villages of Ogimachi, Ainokura and Suganuma are outstanding examples of a traditional way of life perfectly adapted to the environment and people's social and economic circumstances.

Japan - Historic Monuments of Ancient Kyoto (Kyoto, Uji and Otsu Cities)

Built in A.D. 794 on the model of the capitals of ancient China, Kyoto was the imperial capital of Japan from its foundation until the middle of the 19th century. As the centre of Japanese culture for more than 1,000 years, Kyoto illustrates the development of Japanese wooden architecture, particularly religious architecture, and the art of Japanese gardens, which has influenced landscape gardening the world over.